When Benjamin Von Wong arrived into the Place Cliche studio, the crew had already begun to slowly sarran-wrap the entire studio up to protect it as best they could to protect the inevitable mess that was going to happen.

Since they were going to be tossing pigments all around the place and only had three light sources, the lighting throughout the photo-shoot didn’t vary very much. Beyond the technical, shooting with pigments was great fun! Depending on the timing of the shot, you could either get a smokey texture… or a more “pigmented’ one. Impacts seemed to offer the most exciting variety of textures.

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